
I know her secret. It passes through me. I feel the regrets flavored
lightly with remorse. The sweet, forbidden kiss he gave her still
lingers in her breath and for now, I share it. Her name was Maude.
I will remember that for but a moment and then the next will overtake
me.
A deep inhalation it smells
of dust, heat and sweat. My chest feels about ready to burst.
He thinks of how good a cold beer would be, how it's two hours
to quitting time and how big the ta-tas were on the redhead that
just sauntered by. My chest expands as he exhales. Charlie is
a big man who works with steel up high and his ancestry is Mohawk.
He thinks about green forests, and what it must have been like
when his people owned half of New York.. He stays with me longer
than the other, and then is gone.
The procession is never ending,
wherever the air goesI go:
Chloe
is dying and she is only twelve. Her breath brings me fast panting,
tastes of fear and medicine. She bites the inside of her mouth
and I share lukewarm tang of her
blood.
She doesn't want to die.
Bertie is eighty and wants to die.
His breath is slow and even. Everyone he loves has died, and his
children circle like vultures wanting his money. He sits in the
rocker on the front porch of a boarding house, watching leaves
fall from a tree. I feel his wonder at the red and golden leaves
drifting to the ground. He wishes he could be that unmindfuljust
let go, and have something left of the beauty and dignity he once
had.

I want to hold these people that come through me, keep them here,
hoard the memories that they give mebut I can't.
The Maiden's curse
binds me here for eternity, and it was her own undoing as well
as mine. I am allowed to remember, when the west wind blows into
the temple. For now, I know who and what I am, but that goes,
blows away and will come again. This is not lonely, it is what
we are. This is what exists. There is no fighting, only acceptance.
Zephyrus fills my
lungs, and he is in me like the lover he once was. His breath
ruffles my hair, strokes the insides of my lungs, becomes one
with my blood and being. I try not to exhale, to hold him at my
center and not let go. Yet in the end, I must. Air, wind, breath,
they must all move to live.
So Zephyrus goes
from me. Then his brothers come, one after the other carrying
with them the secrets, memories and affairs of the world. They
are not sweet like he. Impersonal and efficient, they are merely
porters bringing information. I do not let Boreas, Notus or Euros
linger. I push them out the doors of my mouth, away through the
portals of my nose. Yet sometimes I savor what they carry. These
messengers have no consciousness of what they hold.
If you could see
me, you would not be offended. As an immortal, I am as lovely
as the day I was cursed. I was barely a girl of twenty Summers
then. I will not say Springs because that invites mention of The
Maid. I would appear as a statue to you. The layers of dust that
lie upon me would perhaps even conceal the rise and fall of my
chest. I closed my eyes long ago for there is nothing to seebut
the dark.
Enrique is young.
His mouth tastes hot. Everything about him is aflame. He spits
words at his lover, and enjoys the power it gives him. His tongue
wags in his mouth. When Enrique
is pleased he drags it along the back of his teeth and pretends
to sharpen his canines..
Ava wants
a child. She is taking drugs to get pregnant. The pills are huge,
and she can barely swallow them. Yet, she chokes them down. The
longing I taste on her tongue is deep and wide. It could swallow
her if she lets it, devour her whole and digest her.
Yoon-Hee eats kimchee,
a sour, spicy cabbage concoction. It smells awful to me, but she
savors it. She wants to go home to Seoul, but her husband is an
engineering student at MIT, with two years left to go. She feels
trapped by her marriage, and wishes she had not married to get
away from her mother. She looks out her windows. Men in small
boats are rowing on hte Charles River. From Yoon-Hee's height,
they
look like water bugs skating across the surface of a pond.
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Breath
© 2004 Pam
Marin-Kingsley
Illustrations
© 2004 Pam Marin-Kingsley